Text/Jinyang.com reporter Komiks 1960 witch cloth draw Song Yi Correspondent Li Danhong
Photo/He Zhijian
“The people who go to Fenglou have no good guests, and since then the rich people are lonely to cover the setting sun.” Chen Baoying, a female actor in the Cantonese opera “Purple Phoenix Tower”, sings the words of the correct and round words as if Cinema 1950 witch cloth draw cry like a complaint, and the audience applause thunderously. On the evening of September 8, nearly a thousand audiences were crowded with Cantonese Opera Cultural Plaza in Guangzhou Cultural Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, who was being held here. The master of Zishu, Teacher Tan Peiyi, also visited in person. Li Yueling and his disciples hope to promote Cantonese opera and Cantonese opera culture with their own voices and carry forward Lingnan culture.
For this performance, Li Yueling and her disciples prepared for half a year. Behind this performance is the spiritual agreement of a Cantonese opera singer and a group of ignorant college students who know nothing about Cantonese opera; this performance is the spiritual agreement of a Cantonese opera singer and a group of ignorant college students who know nothing about Cantonese opera; this performance is the spiritual agreement of this performance. Behind the Babaylan 1990 cloth draw is the story of Komiks 1960 witch cloth draw? Li Yueling Komiks 1960 witch cloth draw retreats and continues a dream of inheriting the Cantonese rhyme?
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Seeking dreams, and the origin of CUHK
In 2009, Guangdong music singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, the Cantonese Opera and Guangdong Opera Cultural Studio of the Center for Historical Anthropology Research at Sun Yat-sen University was established.
The following year, the studio opened a Cantonese opera workshop for college students. Li Yueling and famous performer Chen Zhongyan served as instructors. The purpose is to cultivate young students’ interest in Cantonese opera and Cantonese opera and improve their perceptual understanding of Cantonese culture. The workshop hopes that more young people can join the ranks of understanding Cantonese opera and Chinese traditional culture.
As soon as the workshop started, it quickly attracted a large group of young people with similar aspirations from major universities. Unlike students majoring in Cantonese opera, almost all of these college students have never been exposed to Cantonese opera, nor have they seen the sequel score, let alone pronunciation or rhyme. From voice lifting to music theory, from demonstration to teaching one by one, the two teachers led this group of students to learn from scratch. The workshop also attracted the attention of many famous Cantonese opera artists and enthusiasts and Komiks 1960 witch cloth draw support. On April 17, 2011, the female teacher of Cantonese opera master Hong Line came to the teaching site in thunderstorm to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students’ famous sings such as “The Feast of the Phoenix Pavilion” and “The Fallen Fellowship in Flower Field”, but also gave suggestions on improving their lyrics, singing style, and emotions, but also sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival has opened a special session on Cantonese opera, inviting workshops and Cantonese opera enthusiasts from brother colleges and universities such as Guangzhou University Quyi Club to perform together. This is also the Cantonese opera special show that has been held so far, and has only been established once in the year of the University Students’ Drama Festival. This group of students used their superb performances to repay the concern of all sectors of society and sang the dream of inheritance with Cantonese rhyme.
Continue your dreams, continue your relationship with teachers and students outside the school.
Time flies, and in a blink of an eye, students graduate and go to society and start work. Unlike students from Cantonese opera or art majors, students in the seminar have left the original learning platform after graduation and have almost no chance to learn Cantonese opera. With the busy work, they slowly put their Cantonese Opera aside, and they had not sang a song for several months or even a year. </p"As the saying goes, "There is always the saying goes, "The fist is never separated from the mouth." Every time Li Yueling talks with students, she feels moved. She often thought: "How can students always maintain their love for Cantonese opera, persist in learning, and even go to the next level?" After thinking about it, Li Yueling decided to use the resources around her to build a platform for the students and create opportunities for them to continue learning Cantonese opera.
She and Chen Zhongyan first found a few private games to let the students start the game from time to time to practice. Later, Li Yueling wanted to ensure that the students could start the game once a month and achieve the goal of practicing all the time. She went to Beijing Street Cultural Station to find Webmaster Zhao Yuhua and talked to Webmaster Zhao that she was deeply worried about the loss of skills of this group of students. When the webmaster Zhao Yuhua heard that there were such a group of young people who loved Cantonese opera, he immediately arranged for Li Yueling to meet with Chen Jing, the Folk Art Troupe of the Guangzhou Cultural Association of Beijing Street, and negotiated with students to practice music.
In order to facilitate everyone to practice music, the Cultural Association has changed the starting time from Monday to Friday and closed on weekends. It has specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students. After Li Yueling implemented the venue for the start of each month, she assigned the task of each song of the song “Cinema 1950 witch cloth draw” to the students, hoping to use pressure to drive students to take the time to learn the song. Every time the student starts, no matter how busy Li Yueling will come to the scene, listen carefully to each student’s singing, and after listening to them, she will help them analyze and improve word by word.
In addition, Li Yueling also invited her master, “Zi Du Wang”, to participate in the students’ private affairs. Teacher Tan Peiyi not only shared the creation process of her first famous song “Cai Wenji Returns to Han” with the students, but also taught everyone to sing “Jinjiang Poetry Couple” word by word, which gave the students great encouragement.
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They became the messenger of Cantonese opera Cantonese opera communication
In addition to teaching students to sing, Li Yueling also pays great attention to tapping students’ potential. For students with artistic talents, she will encourage them to learn Cantonese opera accompaniment instruments and playing the palm board, hoping that after they have finished learning, they can form their own accompaniment band, which can integrate singing and accompaniment; for those with a foundation in writingCinema 1950 witch clothes Drawstudents, she encouraged them to write lyrics. Under her earnest teaching, many students made breakthroughs, went to different art stages and gained recognition.
Li Yueling often said to her classmates: “I taught you to sing Cantonese opera and turn you into die-hard fans of Cantonese opera, but in terms of inheritance and communication, I hope you can one day take the initiative to shoulder the important task of spreading Cantonese opera culture. Let more people know Cantonese opera and like Cantonese opera. ”
Li Yueling’s Cantonese students, now some of them have stepped onto the podium and become teachers. They will use Cantonese opera as class material in time based on their own class content, so that the children can accept Cantonese opera subtly. Some have joined the bank and added Cantonese opera special performances in the bank’s feedback activities, giving many customers who have never entered the theater for the first time to come into contact with Cantonese opera. Draw Cantonese opera and became enthusiasts… Under the words and deeds of Teacher Li Yueling, the students consciously took the spread of Cantonese opera as their obligation. They did not have a grand deed, but used ordinary practical actions to sow the seeds of Cantonese opera Cantonese opera into the hearts of more people.
Babaylan 1990 cloth drawRealize their dreams, and they turned into the messengers of love
Li Yueling often said: “We have received strong support from many groups along the way and the help of enthusiastic people. We must learn to be grateful. Learn Cantonese SongCinema 1950 witch cloth draw. In addition to you being able to entertain yourself, I hope you can bring joy to more people with what you have learned. ”
In recent years, Li Yueling has ledStudents Wu Guanxian and Li Yingtong participated in the “Belt and Road” charity exhibition on the same stage. Chen Komiks 1960 witch cloth drawZhong Yan and Li YueBabaylan 1990 clothes drawLing personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolence performances. In addition, they also gave nearly 20 scenes for free to Foshan Babaylan 1990 clothes draw, Dongguan, Taishan and other places, allowing Cantonese opera and Cantonese opera to enter people’s daily lives, allowing people to feel the charm of traditional culture, and enrich the cultural life of local residents.
Li Yueling is a music artist who takes the inheritance and communication of Cantonese opera as his responsibility. Li Yueling’s disciples are the ones who will take over the new era of Guangdong rhyme.