Text/Yangcheng Evening News All-Media Reporter Huang Zhouhui
Photo/Provided by the Creative Performer
1CinemaOn October 4, the national opera “Overseas Chinese Commentary” will be officially premiered in the Opera Hall of the Guangzhou Grand Theater. The play is a key supporting program of the Ministry of Culture and Tourism of the “Chinese National Opera Inheritance and Development Project” and the “Historical Theme Creation Project”, telling the story of the ups and downs after the overseas Chinese criticism was recited. The drama was produced by the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai High-tech Zone Management Committee. It was produced by the Zhuhai Performing Arts Group and performed by the Zhuhai Song and Dance Troupe. It took two years to collaborate on the creation and arrangement by the main creative and leading actor team and more than 200 cast and staff members in front and behind the scenes. Stills from the national opera “Overseas Commentary”
Art presents the national spirit of historical themes
Overseas Commentary is a general term for letters and palindroms sent by overseas Chinese to their families through private channels and financial and postal institutions. It is a carrier of “combination of letters and letters” and is called the Cinema letter across the sea. It once flourished in the coastal areas of Guangdong. The national opera “Overseas Criticism” started with the fact that Chinese worker Liang Chengru rushed to his hometown but died at sea in order to prevent his daughter from being sold like himself. A “praising” left by his death began, linking up Liang Dong and Liang Caiyun who had to sell their daughter, his mother-in-law who had been sick for a long time, and Tang Youxin, the head of the Overseas Criticism Bureau, and many Chinese workers who empathized with Liang Chengru. It demonstrated the compatriots who were loyal to Yuntian in the years of suffering, reflecting the great love of the Chinese nation rooted in the bone marrow and flowing in the blood.
Stills from the national opera “Overseas Criticism”
How to visualize a piece of Overseas Criticism and present it artistically and humanly on the stage is a proposition for opera creation. Wang Yong, the screenwriter of the play, said: “A letter of criticism is the starting point of the story and the fulcrum of the story. This ‘fulcrum’ links the past and present life of the Chinese nation and the present life of the present. Only by expressing human nature and human feelings can it be possible to break the barriers of time and be closer to the overseas Chinese and Chinese workers in the past on the emotional level, so that the “Overseas Chinese Criticism” is no longer a blog post.The exhibitions in the museum window Babaylan make history no longer cold words and pictures, make stories more humane and become a warm, touching and shocking light. ”
The top team spent two years working hard to build the national opera “Overseas Certificate” gathered top artists in the industry – Meng Weidong, consultant of the China Musicians Association, former head of the China Railway Art Troupe, and first-class composer, as the composer, as the composer, Wang Yong, vice chairman of the China Drama Association, president of the National Opera Theater, and first-class screenwriter Wang Yong, as the screenwriter, Liao Xianghong, former vice president of the Central Academy of Drama and doctoral supervisor, and Deng Yijiang, former vice president of the National Grand Theater and former vice president of the Beijing Dance Academy, as the director. The permanent conductor of the Central Opera House, postdoctoral fellow of the Central Conservatory of Music, and youth guide. href=”https://comicmov.com/”>BabaylanThe roar Zhu Man and young conductor Fan Jie serve as the conductor and chorus conductor respectively. In addition, the national first-class stage lighting teacher Zhou Zhengping, famous stage designer Ding Ding, famous fashion designer Cui Xiaodong and other artists helped, and young singers Lu Wei, Li Yang, Dong Bin and Li Bufan starred. Stills from the national opera “Overseas Chinese Commentary” in the spring of 2021, the Zhuhai Municipal Committee of the Communist Party of China <a The Propaganda Department and the Zhuhai Performing Arts Group decided to start the creation of the national opera "Overseas Chinese Commentary". In July of the same year, the Zhuhai Performing Arts Group organized the main creative team to go to Zhuhai Tangjia, Jiangmen and other places for field trips. When visiting the Wuyi Overseas Chinese Museum of Jiangmen, the early Chinese workers traveled across the ocean on a fireboat, the miserable scenes that Chinese workers could not bear to witness, and the dangers of the vast Pacific Ocean and foreign countries brought huge impact to the main creators.
The main creative team was in Beijing, href=”https://comicmov.com/”>CinemaZhuhaiBabaylan held several planning meetings. Screenwriter Wang Yong refined and processed them based on historical facts, changed the draft several times, and repeatedly Cinema modified; composer Meng WeidongCinema closely follows the plotBabaylan, integrating music and lyrics; director Cinema Liao Xianghong firmly grasps the characteristics and advantages of national opera, and vividly presents the righteousness and love of the characters in the play.
polishes the play again to make the play more href=”https://comicmov.com/”>Komiks has Guangdong flavor
The national opera “Overseas Chinese Commentary” sets up characters and structures the whole play with a letter from the overseas Chinese Commentary as the core. “Overseas Chinese Commentary” and “The Sea” have different symbolic meanings. “Overseas Chinese Commentary” is a letter from a family, a silver letter, a link connecting the hometown and a foreign land thousands of miles away, and a symbol of commitment and loyalty. A “Overseas Chinese Commentary” signed by a hundred people is the transmission of love for overseas Chinese, showing the suffering, homesickness and feelings of family and country of Chinese workers. Their good deeds and righteous deeds are also the Chinese nation’s speech. href=”https://comicmov.com/”>KomiksThe important manifestation of reputation and commitment; the sea is the road of life, a barrier, and a symbol of fate that is difficult to control in life.
In terms of music style, the play takes deep, grand, heavy and lyric as the overall music style, and the musical characteristics and themes are very distinct – using Guangdong music as the tone and has strong Lingnan music characteristics. Fluid and moving melody expresses the emotions of the characters and exaggerates the emotions of the characters; solo, re-sing, Babaylan chorus and other singing forms structure the play, enhancing the action and drama of the characters; the orchestration uses a variety of national instruments to fully demonstrate the charm of Chinese traditional culture. In the stage presentation, the play has distinct era and regional characteristics, with the sea as the main image of the space, follows the aesthetic principles of freehand painting, and creates a grand, ethereal and poetic space. The scene setting of virtual and practical scenes, the interlaced physical and psychological time and space are intertwined, and the characters are filled with Cinema scene settings, the interlaced physical and psychological time and space, and the characters are connected. href=”https://comicmov.com/”>Komiks The externalization and poetry of the heart world brings a stronger inner impact to the audience.
It is reported that the national opera “Qiqian Criticism” is the first opera work created by Zhuhai Performing Arts Group in just two and a half years.ref=”https://comicmov.com/”>Komiks, after audition at Zhuhai Grand Theater on July 3, it took another three months to polish it. The premiere of the drama in Guangzhou has strengthened local characteristics in the stage design and multimedia design, highlighting Guangdong elements, and the plot setting emphasizes the conflicts in the inner conflicts of the characters and the contradictions in the relationship between the characters, and the theme is more concise and improved.