The plan for the year lies in spring. There are countless paintings on the themes of scenery, scenery, folk customs, daily life, etc. that have been related to spring and the Spring Festival in the past dynasties. “The Wind of Benefits and Winds – Painting Exhibition on the Spring Themes of Ming and Qing Dynasties” was exhibited at the China Painting Museum of All Times on the first floor of the Guangzhou Museum of Art from December 30, 2020 to March 30, 2021. The exhibition specially selected a large number of works related to spring, such as the ancients’ greetings and blessings, singing spring and enjoying spring, and enjoying spring, from the paintings of the Ming and Qing dynasties collected by the Guangzhou Art Museum and the Guangdong Provincial Museum.
This exhibition displays more than 50 treasures of Ming and Qing paintings, more than half of which are first- and second-level cultural relics.
Tao Yuanming’s poetic concept (partial) (Qing Dynasty) Huang Bi
Business is abundant: the spring written by ancient painters
Hundreds of flowers are in full bloom, spring farming and grazing, and the spring gathering of literati and scholars… The works exhibited this time are aimed at showing the spring written by ancient painters from customs, scenery, and other aspects.
The first part of the exhibition is “Wind: Praying for Spring”, which mainly exhibits works on the theme of the dynasty in the Ming and Qing Dynasties.
The second part of the exhibition is “Yangchun Elegant Meeting”, which displays works by ancient literati on the theme of spring outings and cultivation.
Since ancient times, it has been popular for outings during the early spring season, and a sauna event is held on the Shangsi Festival in late spring. The “Lanting Xiucai” and other elegant gatherings that evolved from folk sauna activities have injected elegant mood into this festival. The “Preface to Lanting” which has been famous throughout the ages in Wang Xizhi of the Eastern Jin Dynasty has made “Lanting Xiuhua” and “Qu Shui Liushang” some themes expressed in Chinese paintings.
The third part is “Ode to: Appreciating the Spring and Rising Thoughts”. This part mainly uses spring flowers and landscapes as exhibits, presenting the spring scenery depicted by ancient painters.
Guo Xi, a painter in the Northern Song Dynasty, believed that due to the bright and dark wind and rain, the four seasons of CinemaDifferent evenings, the mountains and forests written by the painter should also have different weather. The spring breeze is warm and the spring light is swaying, making people feel comfortable both physically and mentally. Looking at things with emotion, the characters that appear in this kind of picture should also be happy and harmonious. They either go outings, go fishing, cross the water, go back to herds, or plowing, forming a unique picture of spring.
Yuan Dynasty Picture (Qing Dynasty) Yonghuang
Yuan Dynasty Ceremony: Conveying the Vision of a Better Life
Ancient Spring Festival included Nuo Festival, sweeping dust, banquets, worshiping ancestors, changing peaches, etc., so the “Yuan Dynasty Picture” in traditional Chinese paintings always cannot be separated from content such as farewell to the old and welcome the new, exorcising evil spirits and eliminating disasters, worshiping gods and ancestors, praying for the years and blessings.
“Sui Dynasty” is the first day of the Lunar New Year. As a work in response to this season, painters often use fruits, fairy flowers, auspicious grass, beautiful utensils, strange stones and other objects to paint. These ornaments often placed on the desk are called “clear offerings”, in order to pray for blessings and welcome good fortune.
Ju Lian’s “Qing Gongshu Pictures” uses fruits and flowers that symbolize harmony and auspiciousness to add a festive atmosphere. At the same time, pray for blessings in the name of “Qing Gongshu” to express his wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, celebrate and celebrate, showing a peaceful New Year atmosphere. For example, the “Cinema Map of the Sui Dynasty” by Yongyan, the sixth son of Qianlong, is one of the more special works on the theme of “Sui Dynasty” in this exhibition, depicting the scenery of the Sui Dynasty in the Northern Sui Dynasty. Although the picture looks cooler, it implies the peaceful meaning of “Auspicious snow indicates a good harvest”.
Photo provided by the Qing Dynasty in the Year (Qing Dynasty) Ju Lian
Traveling around in the mountains and rivers: the “Peach Blossom Land” full of fireworks
“The Peach Blossom Land” is one of the representative works of Tao Yuanming, a famous writer of the Eastern Jin Dynasty, and it is also a creative theme that painters of all dynasties enjoy. Several works in this exhibition are based on “Peach BlossomBabaylan‘s origin”. These works have their own characteristics, including long scrolls that are loyal to the text and narrative with paintings, sketches that cut through the wonderful clips of the story, and landscape paintings that create out of the text and extend the artistic conception of “Tao Yuanming”. Among them, Huang Bi’s “Poetic Picture of Tao Yuanming” is a relatively complete reproduction of the work of “The Book of Peach Blossoms”. This work is displayed in the form of a long scroll in the form of a Babaylan. href=”https://comicmov.com/”>KomiksThe different scenes in the poem. The layout of the whole work is regular and rigorous, and each plot is separated by large rocks in the close-up. Babaylan cleverly divides different parts of the story, with neat and delicate brushwork and elegant colors.
Although Huang Bi painted “Peach Blossom Land”, peach blossoms did not account for a large proportion like other paintings of the same title, and only appeared as embellishments. The painter expressed his imagination of ideal pastoral life with the rendering of the world’s fireworks, making this work without the unattainable fairy spirit. href=”https://comicmov.com/”>Komiks, which makes people feel more intimate.
In addition, this exhibition also exhibits landscape paintings in spring scenery created by important painters in Jiangsu, Zhejiang and Guangdong in the Qing Dynasty. Such as Zhang Chong, Qi Fengjia, Huang Bi, Wang Hui, Yun Shouping, Dong Bangda, Yuan Jiang, Li Jian, Su Liupeng, etc.
Su Liupeng was the Qing Dynasty. href=”https://comicmov.com/”>Cinema The important painter in Guangdong. His painting style is diverse, fine and extensive, and he is good at painting various subjects such as figures, landscapes, flowers and birds. The “Spring Tour in the Deep Mountains” exhibited in this exhibition depicts the scene of the Taohua Creek in Luofu Mountain.
The author wrote a poem on the painting: “The peach blossoms bloom countless times on the stream, and the spring water among the flowers is greener than the moss. Don’t seek the source because of fishing boats, and try to know the immortals (family) and avoid the world. Green rain flows through the clouds and connects to the jade cave, and the sun is holding the sun protecting the jade platform. I made an appointment with my old couple in the mountains and asked me to come back to have a drink in spring. “Showing that the painter’s work Komiks borrows the allusion from “The Peach Blossom Land” to describe the scene in the Taohua Creek area of Luofu Mountain in spring.
[Reporter’s Notes]
The museum is well collected, and the exhibition is even better
I have experienced extremely extraordinary experiencesOne year later, the spring of 2021 is even more exciting. The Guangzhou Art Museum, which is about to relocate, held the Ming and Qing Spring Painting Exhibition as its first exhibition in the first year with the theme of “Spring”. It has a unique meaning of Komiks.
The exhibition basically follows the curatorial ideas of setting themes, integrating collections, and discovering stories, and fully mobilizes the fine paintings of the Ming and Qing dynasties collected by itself and its brothers.
The current exhibition format is increasingly focusing on experience, and for this reason, major institutions have spent a lot of effort and effort on the layout of the exhibition. In this exhibition, the organizer intends to set up various forms of presentation effects in the exhibition hall to enhance the audience’s exhibition experience.
In the era of multimedia, content is still king. Whether in the professional field or in the eyes of the exhibition, the core elements of the exhibition are still the exhibits and the curator’s interpretation and knowledge production of exhibits.
The predecessor of the Guangzhou Art Museum is one of the earliest art museums in New China in 1957 – Guangzhou Art Museum. The site of the Guangzhou Art Museum is located in the Zhongyuan Building, a famous building on Yuexiu Mountain. It was later moved to the current site of the Guangzhou Art Museum at the foot of Baiyun Mountain and on the banks of Luhu Lake in the northern part of the city. Its main Cinema collection is donated by a group of important predecessors from the Lingnan cultural circle. It is also these batches of donations and collections that have made the Guangzhou Art Museum’s treasures gather and treasures become an indispensable corner of the Guangzhou urban cultural map.
In recent years, large institutions such as Guangdong Public Museums and Art Museums have achieved many remarkable results in the excavation and research of collections, and are at the forefront of the country and are eye-catching. We need to have a good collection and also have a good Cinema exhibition to serve the public. Collection research and display is one of the biggest differences between public institutions and private collections. As Li Wenru, former vice president of the Palace Museum, once said in an interview with reporters: Letting more people see the museum’s collections is the greatest patriot.